Primary Research

The Clock - Christian Marclay

This work is a collection of thousands of video clips, from Movies and Television, that show timekeeping. This compilation is cut and edited so that the time shown on the clip shows the actual time accurately. Not only was this a tremendous amount of work for the artist as he had to find the right clip for every second, and every minute, but this work also has value in its creation through other means. It transcends the normal standard ways of timekeeping, both by showing an array of timekeeping devices on screen, but also by including the sound of the clips. The Tate Modern Blog also described the work as a memento mori, a work which reminds us of the time passing, and our own mortality.

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Eadweard Muybridge (1830-1904)

 Eadweard Muybridge was an English photographer from the second half of the 19th century whose most famous work 

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is in the "photographic studies of motion". Similarly to how Masolino da Panicale (1383-1440) was one of the first to "discover" one-point perspective, Muybridge created a new breakthrough in the more technical spectrum of the art world. His discoveries offered a whole new perspective to the motion of humans, but also animals, whose movements had been wrongly represented for centuries (ex. horses - Sallie Gardner at a Gallop). His work being predominantly about capturing several instances-a-second of the same movement, photography is an obvious choice. His works are still used today for reference in animation and anatomy.

 

 

 

 

 

 

Marina Abramovich (Born 1946)

I've read a lot about marina Abramovich's work and origin story. Considering her difficult beginnings in life, she's managed to reinvent herself, and her outlook on the world of contemporary art world, as a veteran of said world, is extremely interesting.

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The Artist is Present - Marina Abramovich & Matthew Akers

This collaboration between these two artists was very striking at the time of its enactment, and it still is today. In this performance, Marina sat for entire days at a desk, whilst the visitors would come, sit down in front of her, and stare. She would not say a word, everything to be said was exchanged between the looks of the spectator and the artist. This was mainly a test of endurance, a sort of meditation, but also a study of our humanity. 

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When asked about what was next, this is what she answered:

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which I found to be interestingly worded.

60 Minute of Silence - Gillian Wearing

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This work by Gillian Wearing, done in 1996, earned her the turner prize of the same year. It is interesting because it deceives the spectator into and initial unease, as one is unsure whether the medium observed is is a photo or a video. Through several minute motions of the humans portrayed, we realize that we are not looking at some simple group photo, but in fact, this is a video featuring actors who stood "relatively" still for 60 seconds

One Hour Circle Painting - Daniel Eatock

(Taken from the artist's own website)

The clock is hung on the gallery wall at head height. 60 different visitors to the gallery are individually given the following instruction: Select one can of spray paint. Spray one complete circle around the perimeter of the clock in an uninterrupted clockwise circular motion following the ticking second hand of the clock as a metronome/guide. Your circle must take 60 seconds to paint, at 15 seconds the circle should be a quarter complete and at 30 seconds the painting should be half way. Start and end at the 12 o’clock position, do not lift your finger off the spray can nozzle until the circle is complete, don’t worry too much if your line overlaps the previous persons line.

Each circle adds to the growing set of concentric rings. The combined set represents a combined painting duration of exactly one hour.

 

Conclusion

The main tying theme between all these works is the idea of time passing, this is either done through a performance (Abramovic, Wearing) or through a more direct and frontal approach to studying the time passing (Muybridge, Marclay).

Reflection

 When I took on this project, I sought to create a more rule-based time crunch, where I was to keep my head down and endure 20 hours of music composition without hearing any of the music. What happened in the end, is that I got a more experience-based project: my mental state changed quite a lot during this blind marathon. The one thing that affected me the most (and is most relevant to the subject) was my concept of time, because I was playing around with my keyboard, and I was not actually listening to what I was playing, or to any music at all for that matter, so my brain started wandering, and it was harder and harder to keep track of how much time I'd set for myself. If I ever redo this I should definitely set myself stricter rules, as the whiteboard said, those rules can help us better organize our ideas.

 Another interesting part, is that I was having difficulty with thinking logically, I was in a sort of musical trance where my brain was trying to rewire itself to visualize sound, I find this state of mind extremely interesting and I wish to try to get into to it more as it greatly enhanced my musical creativity.

During the next set of 20 hours, I wanted to make a series of drawings that showed object that inspired me, but I couldn't look at the drawing and I had to do it all in one line, I also set myself 10 minutes per drawing, giving myself these rules was quite wise as I now felt less constrained by the daunting aspect of infinite possibilities.

20 Hours - Sound (Headphones Highly Recommended)

20 hours of drawing